fuller version was told in the Cypria, a lost work of the Epic Cycle, of which only fragments remain. The later writers Ovid , Lucian, Apollodorus and Hyginus, retell the story with skeptical, ironic or popularizing agendas. But it appeared wordlessly on the ivory and gold votive chest of the 7th-century tyrant Cypselus at Olympia, which was described by Pausanias as showing:
The subject was favoured by painters of Red-figure pottery as early as the sixth century BC, and remained popular in Greek and Roman art, before enjoying a significant revival, as an opportunity to show three female nudes, in the Renaissance.
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